CURRENT STUDENTS: The main audition cycle for the VJC program (for area music students in grades 8-12) has just concluded. However, there are still a few positions open in the ensembles. We will continue to accept applications from:
1) brass musicians,
2) pianists, and
3) drummers ... until all ensemble slots are filled.
We have just added one, additional audition day on Tuesday, 12/9 (evening) for late applicants. This audition will take place at Ravenscroft in Scottsdale. Please consider joining us by applying and auditioning!
VJC Indigo (Tuesday nights) and VJC Cerulean (Thursday nights) begin rehearsing in mid-December. VJC Sapphire (Saturday mornings at MCC) begins rehearsing in January. We hope you will join the VJC for its 10th anniversary season in 2025-26!
EDUCATORS: Check out the Flexible Instrumentation Big Band charts from VJC Publications. And listen to this great new music on our YouTube channel. VJC Publications offers flex. charts without compromise, designed to sound great—and complete—with just the minimum instrumentation (11 pieces). And of course, they sound truly spectacular with a full, 18-piece big band. Given the unpredictable nature of band program size from year to year, VJC Publications represents a great investment for any music library.
Please note that 100% of every VJC Publication purchase goes back into supporting the educational activities of the Valley Jazz Cooperative. Also, we now have five Christmas/Holiday big band charts available. Each of them are $10 off through November to help you with your holiday programming! It's our "Martin Special"! (IYKYK)
FRIENDS & FANS: We have two VJC Alumni Band events coming up soon, both in Scottsdale. The VJC Alumni Band+ will perform its annual Christmas Concert (Sat., Dec. 20th @ 7 PM in Ravenscroft Hall). And the VJC Alumni Sextet—a.k.a. VJC Azure—makes its debut performance on (Fri., Jan. 9th @ 7 PM in Jazzbird).
NEW EDUCATIONAL OUTREACH FROM MSW: Hansley Mussotte has recently joined the MSW-Education team to launch a new program in January 2026. Titled the Valley Gospel Project, it is a vocal/choral-focused initiative that will meet on Monday nights at Ravenscroft. Anyone with interest in singing gospel music as part of the Valley Gospel Project can CLICK HERE to learn more.

VJC RESOURCES
for auditions, program participation, educational purposes, and practice sessions
Using the links shown below—or by navigating with the drop-down menu—you can find materials designed to assist music students and educators in a variety of ways. Many of these resources have been produced in conjunction with Music Serving the Word’s education area.
FOR AUDITION MATERIALS FOR VJC ENSEMBLES, CLICK HERE. Each downloadable PDF file contains materials suitable for either combo or big band auditions. Audition packets are available for alto sax, tenor sax, baritone sax, trumpet, trombone, bass trombone, guitar, piano, bass, and drums.
Also, please note there is an alternative option to these PDF files available to students auditioning for VJC big bands/large ensembles in November/December each year: Anyone trying out for AZ All-State Jazz Ensembles may substitute those audition materials (provided by ABODA) for the VJC audition packet. Please just let us know in advance if you want to use those materials (usually a packet of four etudes by jazz composer Mike Tomaro) instead of the usual VJC packet. Thanks!
FOR PLAY-ALONGS CREATED TO ASSIST VJC APPLICANTS WITH COMBO PROGRAM AUDITIONS, CLICK HERE. Various versions of backing tracks for Framer of Thy Song and VJC Blues are found there.
FOR VJC STUDENT PARTICIPANT FORMS (including the consent/waiver form and the instrument sign-out form), CLICK HERE.
FOR FREE EDUCATIONAL RESOURCES DESIGNED TO HELP BOTH JAZZ EDUCATORS AND THEIR STUDENTS, CLICK HERE. Current materials available include:
• a resource explaining chord symbol nomenclature (which concludes with a chord symbol glossary),
• a hand-out designed to help guitarists, pianists, and others learn more about harmonic equivalence (an understanding of which will allow compers to learn additional chord voicings with much greater ease),
• a pair of resources for developing jazz pianists, providing common “drop 2” voicings in major and minor keys, and
• a hand-out for guitarists, pianists, bassists, drummers, and band directors which explains fundamental rhythm section performance concepts.
